1. Lawrence Schmeckebier, essay for Boris Margo: Graphic Work 1932-1968, with a catalogue raisonne of Margo's graphics by Jan Gelb and Alexandra Schmeckebier, Syracuse University, The School of Art, 1968, p11.

  2. For a detailed discussion of the precedence of Margo's use of decalcomania in oil painting over that of Max Ernst, see: Jeffrey Wechsler, "Surrealism and American Art, 1931-1947," exhibition catalogue, Rutgers University Art Gallery (now Jane Voorhees Zimmerli Art Museum), 1977, pp58-62.

  3. Pavel Filonov, "Ideology of Analytical Art," 1930. Quoted in John E. Bowlt (ed. and trans.), Russian Art of the Avante-Garde: Theory and Criticism, 1902-1934, The Viking Press, New York, 1972, p286.
  4. Boris Margo, quoted in: Judith Kaye Reed, "Boris Margo Exhibits," Art Digest, October 15, 1947, p21.

  5. Boris Margo, quoted in: Margaret Lowengrund, "Margo Paintings," Art Digest, March 15, 1949, p16.

  6. Boris Margo, quoted in: Schmeckebier, p11.

  7. Boris Margo, quoted in: Lowengrund, p16.

  8. J.R.M., review, "Boris Margo," Arts, March 1958, p59.